I created this quick little illustration yesterday for a blog post Evan wrote ranting against pigeonholing editors. Check it out. It’s a good read. The post: “Opinion: The Absurdity of Pigeonholing Across Mediums.”
Posts Tagged ‘illustration’
For my final Illustrator class project, I had to create a sell sheet for a watch that included a realistic-looking watch as well as a box for that watch. I decided not to design an entirely new watch, but rather to recreate a fun watch that I found. And believe me, this was not a shorcut — it took an immense amount of work to get the watch looking real, especially when it came to the subtle shading I had to do on the monochromatic watch style I chose.
I recreated a Jelly Watch, since I think it’s a really fun style, and though I took the pink from a real version of the watch, the other colors I used were ones I chose myself.
This project really brought together a lot of what we’d learned during this class, from advanced coloring and shading techniques to replication techniques (think of all those little minute marks and other repeated elements). It’s not terrible interesting to discuss, but the point is that everything on the page I made is an illustration. For those interested, the “outline” view of the file is below so you can see it’s components.
For my Illustrator class, we had a calendar project and I thought it would be the perfect time to start updating my Owl Calendar. I created another yearly version with the tree with pretty much the same layout but completely revamped images and colors. I’m still considering some changes, so I’m not posting an image fit for download yet, but you should be able to get a good view.
I also started creating some individual calendar months — here are January and July. More to come soon! Let me know what you think…
I have been looking at the Brushes iPhone app on and off since I got my iPhone more than a year ago. I’d seen some incredible images created with it, and I wanted to try it out, but it was pretty pricey for an app at $4.99, and I wasn’t sure if I’d really use it.
But just before my flight to Florida on Wednesday, I decided I would treat myself to a little present, since I knew I’d have some free time in Florida.
I played around with it a bit on the plane, but found it awkward — I kept making the strokes too thick, or making strokes when I meant to be moving the canvas around. I also didn’t have a clear plan for what I wanted to create on it or how I was going to go about it.
Last night, though, I decided to give digital finger painting another try. I started with a simple image close to things I’d painted in the past. A lake landscape with a sailboat.
Then I decided I’d move on to something more complex. I’d had so much fun creating my Conan-Leno Illustrator piece, I thought I should try out another portrait, though this time it would be more freehand. I chose a photo of my sister Michelle that I took on my iPhone a few months ago and got to work.
I outlined the image, colored it in and added some shadows and highlights. Then I added a fun background that went with her hilarious karaoke posing.
Then I found out that Brushes lets you play back your brushstrokes from your .brushes file, and I created this little movie of creating the image. It’s a little strange in that it doesn’t actually go 100% chronologically, but starts with the back-most layer, and fills in your brush strokes in order for each layer. It’s actually quite backwards from how I created the image. Still, it’s quite cool. And my grandma has already asked that I create a portrait of her.
For my first Illustrator II class assignment, we had to create a how-to illustration. I decided to go timely with How to Cause a Late Night Disaster based on all the hoopla going on at NBC with Jay Leno, Conan O’Brien and the Tonight Show.
Wow, it’s been a long time since I’ve posted anything. It’s been a really busy month and I have lots of adventures to catch up on writing about. First, though, I wanted to share my final project from my Photoshop II UCLA Extension class.
We had to create an illustration for a New York Times Opinion Section piece in the style of ParkeHarrison. I was inspired by the surreal images, and loved the themes of flight, clouds and tethering. I chose an article called “Have Work, Will Travel” about working holiday visas for young people and the freedom it gives them. I focused on the freedom to travel and explore the world as opposed to the parts of the article that talk about how the U.S. doesn’t have such reciprocal agreements with other countries. As someone who has used a working holiday visa — when I went to London — it really was a great experience.
I put together a number of different photos — my friend Guiselle leaping into the air, a stock landscape, many stock cloud photos and a photo of a parachute for the strings.
Our last Adobe Illustrator class assignment was creating a “posterized” poster — a stylized version of a photo that combines areas with similar tones to create a more graphic effect. We had to achieve the postrized look using the pen and pencil tool, and we could also use the live trace tool. We also had to add a title to the image.
I chose a photo of Murray that I took back when he was a puppy, which was always one of my favorite photos of him. I ended up tracing him with the pencil tool, then using live trace for the flowers and grass, though then I duplicated some flowers to fill in the empty areas. I also create a color palette from the original photo, since when I posterized the image in Photoshop and when I did the live trace, the colors got sort of weird, with Murray getting very pink.
I decided to enlarge Murray and put the photo in a frame with words around it, similar to how it’s displayed at my parent’s house. I also tested out using some different effects, like drop shadows to give it more depth.